Ceramics
As For Living (2016) - As for Living is a series of woven clay pieces that explore the relationship between the way we live in an affluent Australia and the earth’s finite resources. The woven clay fish traps evoke the sustainability of traditional ways of life across the world. Only one fish trap remains unbroken, the rest in stages of ruin that mirror the fragility of our existence.
All About Men (2014) – The hand-built terracotta pot features images of men and boys playing, making music, dancing, crying, hugging and caring for children while doing the everyday work of living. The golden penises are flaccid, removing the link between power and the phallus. Terracotta, dry glaze, gold lustre overglaze
Bush Memorial (2015) - The giant banksia pods stand as monuments to the Australian plant species that have been destroyed in the last two centuries and as a warning of the dangers of climate change. Finalist Hidden Rookwood Sculpture Prize (commended). Terracotta, dry glazes
We All Bleed Red (2017) – Three unglazed bisque-fired hearts made of different coloured clays were filled with artificial blood and hung over two days. The clays gradually absorbed the liquid, becoming similar in colour, while dripping the excess ‘blood’ into the glass container below.
Heartlands (2017) – Large white stoneware hand-built heart, inscribed with a world map and burnished. Finalist Ravenswood Women’s Art Prize 2017.